You May Be A Jokey But You Look Like A Horses Ass.
But they sure do it well, and their conviction is hard to deny. Bonus Track) Get It Now Posted by Everything Went Black Labels: Step On It. The criminal theme is apparently because at the time of formation, all 5 of the members were on probation, and have consistently been in trouble with the law. It was reissued in 2006 as part of Century Media 's 20th Anniversary series of reissues, with six bonus tracks, taken from rare 7' records and splits. The band released a limited edition 7 EP in 2003 called Legalize Crime, which has since been rereleased on CD with a bonus live track and is available through Eyehategod’s webstore. By the time it ends, the album just blurs into a big mound of corrosive, swampy doom metal riffage. Take as Needed for Pain is the second studio album by American sludge metal band Eyehategod, released on November 22, 1993. Not counting the couple of looped spoken word collages, there isn't a whole lot to distinguish the tracks from one another.
There are also moments when they break into a swinging, mid-tempo Southern rock groove, which helps offset the slow pounding that otherwise predominates.
#Eyehategod take as needed for pain 320 kbps bonus track full
Compared to the rougher In the Name of Suffering, the guitars here are warmer and thicker sounding, while the actual riffs are much more distinguished and in some cases even catchy. Take As Needed For Pain performed by EyeHateGod is available in both: lossy (320kbps MP3) and lossless (FLAC) quality Full album: 12 tracks: Shop Lift, White Nigger, 30 Bag, Disturbance, Crimes Against Skin, Kill Your Boss, Laugh It Off, Pigs, Run It Into The Ground, Blank, Sister Fucker Part I, Who Gave Her The Rises. Take as Needed for Pain has all of that, but it is also the first to really bring out the Southern/blues-rock and Black Sabbath influences in full force. Every Eyehategod album shares a few main ingredients in common: the slow, sludgy guitars, the indecipherable ranting of vocalist Michael Williams, the moaning feedback that introduces nearly every song, and the relentlessly bitter, broken-down mood.